Deep into January
It's cold in the big city. I've had a couple of days off from work, today and yesterday, and have been puttering around the apartment, downloading music onto my computer, picking up drycleaning, that kind of thing. Last night I went to yoga, to the latest class of the day, which ends at around 9:30, and then made my way home by bus (two buses actually), all bundled up and shivering while waiting for the buses. I think I might stay home tonight.
I've been reading, too. I'm on the last book of Mahfouz's Cairo trilogy, Sugar Street, and I don't want to finish it, because I've come to feel so close to the story and the people. In a part that I was reading last night, the patriarch of the family runs into his two teenage grandsons on the street and they greet him respectfully. He is happy to see them and asks them, "To where from where?" and somehow that little phrase seemed inordinately moving to me--so familial and informal and a sign of how much the character of the grandfather had softened in the course of the story, changed from being the tyrannical and distant figure that his own children knew. Also, I wondered if the phrase was a translation of a common phrase in Arabic--it carried, to me, that whiff of a foreign idiom that helps one to remember, oh, yes, this book was not originally written in English.
Speaking of troubled patriarchs, I went to see the revival of A View from the Bridge on Broadway two nights ago, with my friend M., who got tickets for us on the spur of the moment after reading the rave review in the newspaper. It was tense and riveting, funny and heartbreaking.
That's all for now.
I've been reading, too. I'm on the last book of Mahfouz's Cairo trilogy, Sugar Street, and I don't want to finish it, because I've come to feel so close to the story and the people. In a part that I was reading last night, the patriarch of the family runs into his two teenage grandsons on the street and they greet him respectfully. He is happy to see them and asks them, "To where from where?" and somehow that little phrase seemed inordinately moving to me--so familial and informal and a sign of how much the character of the grandfather had softened in the course of the story, changed from being the tyrannical and distant figure that his own children knew. Also, I wondered if the phrase was a translation of a common phrase in Arabic--it carried, to me, that whiff of a foreign idiom that helps one to remember, oh, yes, this book was not originally written in English.
Speaking of troubled patriarchs, I went to see the revival of A View from the Bridge on Broadway two nights ago, with my friend M., who got tickets for us on the spur of the moment after reading the rave review in the newspaper. It was tense and riveting, funny and heartbreaking.
That's all for now.
